Tag Archives: Matt Mercer

The 5 Unwritten Goals of the One D&D Rules Update

Six months before then D&D head Ray Winninger announced an new set of Dungeons & Dragons core books for 2024, I predicted the update. I based my prediction on a declaration from the D&D team, which made their top priority “making D&D as welcoming and inclusive as possible.”

To reach that goal, Tasha’s Cauldron of Everything featured a new way to distribute ability scores. “This option emphasizes that each person in the game is an individual with capabilities all their own.” New books portrayed “all the peoples of D&D in relatable ways, making it clear that they are as free as humans to decide who they are and what they do.”

But the 2014 core books still showed an outdated approach, so when the D&D team wrote, “Our priority is to make things right,” predicting new core books seemed easy. I wrote, “By the end of 2022, Wizards of the Coast will release a new version of the Player’s Handbook that revisits the old ability score adjustments in favor of the more flexible version.”

The rest of my prediction proved wrong, because I expected a speedy, modest update that simply added Tasha’s rules for ability scores and replaced some troublesome spells, class features, and so on with the improved versions already printed in newer books.

Wandering Troubadour by Rudy Siswanto

Given fifth edition’s continuing growth, such a careful update seemed sensible. New editions fuel a surge of sales as a game’s existing fans replace their books, but they also lose players who choose not to leave their game mastery and their investment in old books. The worst case of a new edition follows the path of fourth edition, where as much as half of the player base split to play Pathfinder, a game that felt more like D&D to its fans. Hypothetically, a disastrous One D&D release could strangle D&D’s burgeoning growth. In D&D management’s nightmare, Matt Mercer dislikes One D&D and opts to stream Critical Role games based on his own fifth edition offshoot called Mattfinder.

Nonetheless, the One D&D playtest packets suggest changes that resemble a new edition. What explains the bolder update that has players using the word “sixth,” even if no one on the D&D team dares?

Some gamers say a major update will sell more books, and that might be true for a replacement to a stagnant edition. A mature roleplaying game with shelves of rule expansions can intimidate potential players, because they feel like they could never catch up. A new edition feels more welcoming. But fifth edition avoided flooding game store shelves with new rules, opting for adventures and settings instead. Besides, the edition continues to gain players at an unprecedented rate.

Anyway, a careful refresh would have led millions of gamers to replace the books already on their shelves, vaulting a trio of D&D books to the top of Amazon’s bestseller lists. Such an update would skip One D&D’s 18-month playtest or any risk of slowing sales as some gamers spend 18 months avoiding purchases ahead of the new release.

Some gamers suspect that the designers aim to create a game that works better online. After all, One D&D includes a Digital Play Experience that “will be a virtual play space that allows Dungeon Masters to create truly immersive campaigns and players to enjoy a D&D experience where we offload a lot of the rules referencing.” Offloading “referencing” could mean nothing more than what players gain from D&D Beyond, but a virtual tabletop would probably add automation like attack buttons that roll to hit and total damage. A few playtest rules would prove easier to automate. For example, the Hide action simplifies sneaking to just a DC 15 Dexterity Check (Stealth). That rule’s programmer can take an early lunch.

Still, just as many playtest rules replace a rule easy for computers with one easier for humans. For example, the Special Speeds rule eliminates the math of mixing flying and climbing with regular movement. No computer struggles with the old math. The Jump action seems designed to free designer Jeremy Crawford from explaining how to include a jump in a Move action. Computers could handle the original rule effortlessly. I see no signs that the revision systematically favors play on a VTT. It systematically favors sparing Jeremy from answering the same damn questions about sneaking. Some changes match the game rules to the way players misunderstand the 2014 rules. This category includes changes like eliminating critical hits for attack spells and making Heroic Inspiration a re-roll.

Lead designer Jeremy Crawford says he keeps a list of pain points and sources of confusion in D&D. Likely the aggressive One D&D update stems from that list and similar lists from other designers. None of this makes the 2014 edition a bad game, but 8 years of play surfaces ample opportunities for improvement. Happily, based on the playtest, the designers’ lists match most of the pain points I would include in a list of my own—or in my 10 years of blog posts.

So just two playtest packets include improvements to exhaustion, dual-weapon fighting, Hunter’s Mark, Guidance, and much more. All these updates replace rules in the 2014 Player’s Handbook without breaking any of the game’s existing adventures or subsequent character options.

The One D&D team promises new core books compatible with the other fifth edition books. Second edition’s most important goal was “to make sure the game was still the one you knew and enjoyed,” and that goal applies to One D&D too. Still, if your definition of “compatible” means new classes and character features that equal the power of the 2014 versions, then One D&D will disappoint you. On average, One D&D characters and feats bring more power, but surely not as much power as some characters optimized for the 2014 rules. When I changed my human fighter with Great Weapon Fighter and Polearm Master to the playtest rules, his power plunged.

So, most of the playtest changes come from 4 goals, listed by importance from the essential number 1 to a number 4 that makes the D&D Sage’s life easier.

  • Make D&D as welcoming and inclusive as possible.
  • Keep One D&D compatible with existing adventures and new class options.
  • Fix pain points revealed by 8 years of play.
  • Avoid common questions and points of confusion prompted by the current rules.

The playtest rules show one more goal that I rate as the least important, but with One D&D opening the door to other, vital changes, the designers gain cover for working a fifth goal:

  • Adjust the game to the tastes of the current design team and how they read the tastes of D&D players

For example, the 2014 design team sought to make new characters as simple as possible. This returned to D&D’s 1974 roots. Now, the idea of pairing backgrounds with feats and mechanical benefits clearly enchants Jeremy Crawford. “I’m super excited about this whole approach that we’re taking with backgrounds,” he explains. “It’s all about building your character’s story and making certain meaningful game-mechanic choices that reflect the story you have in mind for your character.” Background-based feats appear in the playtest, but make no mistake, recent D&D products show that this change is already set.

Also, the 2014 design team felt comfortable making 1st-level characters as fragile as soap bubbles. After all, players have little investment in new characters. But today’s players more often lavish creative energy on the background and personality of characters, so the playtest offered a rule making new characters a bit harder to kill by preventing monsters from scoring critical hits. I suspect this critical hit rule tested poorly, so look for different tweaks that make new characters more durable.

I suspect the rules for awarding heroic inspiration on 5% of d20 rolls fits goal 5, although I’m unable to explain what the designers hope to achieve. Perhaps the inspiration rule takes us closer to a game where characters just show off their abilities on the way to easy success. Over 8 years, the design team has shown less and less appetite for letting characters fail.

Perhaps I could do without goal number 5, but the D&D team would say that if a change fails to match the tastes of D&D players, then playtest feedback will block it.

Most Advice for Encouraging Role-playing Stinks, But I Found the Good Stuff

Before I wrote this post, I scoured the Internet for help encouraging Dungeons & Dragons players to role play.

Sometimes Dungeons & Dragons players tell me of a session where no one rolled a die because everyone role played for the entire night. Imagine this: On a flight to Los Angeles, I gain a free upgrade to first class, get seated next to Deborah Ann Woll, spend the flight talking D&D, show the wood-grained first printing I scored at a garage sale on the way to the airport, and then get invited to sit in a super-secret Hollywood D&D game. Later, my story of the day still couldn’t capture the rapturous tone of the folks who tell me about their sessions of pure role-playing.

We all know that acting in character adds fun, but role playing enhances D&D for everyone at the table. Role playing heightens the drama and the humor. It raises the stakes by making goals, successes, and setbacks personal. It fosters relationships between characters.

I’ve never reached the pure rush of a session focused entirely on role playing. Perhaps I just favor a balance of combat and exploration with role playing. Perhaps I’ve never played with a group who threw themselves into character with enough zeal. Nonetheless, stories of dice-free sessions fill me with a sense of inadequacy. Could my dungeon master skills lack some essential quality that nurtures role playing?

Ready to improve my game, I turned to my stack of gamemaster guides and then to the Internet for advice. How do I encourage players to role play?

In Internet discussions, lots of gamers ask this question. Most of the replies offer weak advice. Some of the older discussions had recommendations for things now baked into fifth-edition D&D: Encourage players to develop backgrounds, ideals, and flaws for their characters. Offer benefits such as inspiration for good role playing.

Beyond this sound but conventional advice, many DMs suggested ways to pressure uncomfortable or uninterested players to role play. Don’t do that. Other DMs require written descriptions of character backgrounds. To most folks, a writing assignment will make role playing seem like a chore. The players who do enjoy the homework need no encouragement.

How else can a dungeon master encourage role playing?

Create ties between characters

Traits, bonds, ideals, and flaws provide a foundation for role playing a character, but these aspects miss an essential ingredient: a character’s relationship to rest of the party. In any book or movie featuring an ensemble, their interactions create the humor and drama. The group’s interplay reveals their personalities. By inventing relationships between their characters, players gain a way to role play among themselves.

When starting a new group of characters, ask each player to invent a reason their character feels loyalty, friendship, or trust toward another character at the table. Both players must negotiate so the connection suits their characters. Every player should invent a new bond so most characters feel tied to two others.

In the official D&D podcast, Shelly Mazzanoble remembered this exercise. “It forced us to find each other, to interact with each other. ‘I want to be connected to you. Here’s our story.’”

For even stronger interaction, have players invent a source of friction between their character and another. Unlike the strong, positive bonds of trust and loyalty, make these notes of discord relatively mild, even humorous. They should foster amusing banter, not genuine rancor.

Portray non-player characters as you want players to portray their characters

As a dungeon master, you set the style of interaction at your table. To encourage role playing, make your non-player characters come alive by portraying their tone, mannerism, and speaking patterns.

Even if you struggle with character voices, body language can make NPCs come alive. “Your physicality can completely change a character without having to do silly voices,” Matt Mercer explained on the DM’s Deep Dive. “If they’re more of a sly character, steeple your finders and drop your shoulders a bit and just sort of be that sly sneaky character. If they’re a welcoming persona, put your palms up in front of you in a very open and welcoming position and smile. These are all things that you don’t have to have any performing experience to do, but it really makes a difference in embodying an NPC and changing how your players perceive them. Even if you just shift your physicality a little bit, you’re players will know that you’ve become a different character in that scene.”

Speech patterns also make NPCs distinct. Recently I played at a table run by DM Brittany, and the way she portrayed an older, male character struck me. After a relating each fantastic or tragic event in a long tale, she deadpanned, in character, “Well, that happens.” Without a silly voice, she made the character memorable and amusing.

Ask “How would your character say that?”

Don’t pressure players into character, but when they say they persuade, intimidate, or otherwise interact, invite them to show how their character acts. “Gently try and remind them to respond in character,” Matt Mercer suggests. “Like ‘Great, how would Dermans ask that question to me, the jailer?’ Or ‘Sure, and as those angry thoughts fill her mind, how would Layla express that verbally?’”

Single out specific characters for interaction

When the entire party participates in a role-playing scene, typically only one or two players participate. The rest watch. Sometimes players find themselves overshadowed by players with more forceful personalities. Singling out characters gives more players a solo. “Make direct eye contact,” Matt Mercer says. “Lean in and gesture, or point to them when asking a question of their character. Let them know that they are in the moment and that this is their moment to seize.”

Whenever you introduce NPCs, ask yourself if they would feel an affinity for a member of the party—especially one who deserves time in the spotlight. Perhaps the NPC and the character share a class, background, or allegiance. Have the NPC focus on the character who shares a kinship.

Your players develop characters with exciting qualities. Try introducing an NPC who appreciates one of these unique traits or who admires a character’s reputation. Such regard lends characters a sense of importance, keeps players engaged, and lets them bask in a little glory.

You can encourage more players to interact by making characters tackle separate role-playing scenes simultaneously. For instance, if the characters only need to gain the support of the head of the merchant council, then typically one player makes all the diplomacy rolls. If the characters must split up to convince every member of the merchant council before their vote, then every player must contribute.

Have non-player characters ask personal questions

Rather than limiting interaction to persuasion and intimidation, let your NPCs indulge in a little small talk. Personal questions feel especially natural from a character who admires or feels kinship toward someone in the party. On the official D&D podcast, Matt Colville suggests, “Have an NPC ask a player an introspective question like, ‘Why are you a adventurer?’ or, ‘Why did you become a paladin?’ There’s nowhere on your character sheet where you can find the answer. You’ve got to come up with the answer in your head. It’s often the first time the player has ever wondered those things.”

I’m still working to improve my game. How do you encourage players to role play?

Related: A priest, a warlock, and a dwarf walk into a bar and…nothing happens