Category Archives: Advice

Solving the limitations of battle maps

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In “Battle maps take over Dungeons & Dragons,” I wrote about how the widespread introduction of battle maps improved the fun of combat encounters. Everyone knows where everything is. The game never gets bogged down with boring descriptions of layout and dimensions.

Nonetheless, as much as the simple map avoids confusion, it suffers two weaknesses where I still search for improvements.

Elevation

Without 3D terrain, battle maps do a poor job of representing elevation, and cannot clearly represent rooms with multiple, overlapping levels, such as balconies.

When I create my own adventures, the limits of the flat map limit the kind of spaces that I imagine. So sometimes I work to break the constraints of the map. For example, I once ran a vertical dungeon, perched on walkways and platforms carved into—and jutting out of—a giant cliff. While this kind of environment can inject some fresh wonder into the game, I’m always annoyed when an encounter forces, say, a balcony into an essentially static combat. If an encounter adds the complexity of multiple levels, I want a dynamic encounter with characters on the move between levels, trading fire and flying around. If you have levels, force the characters to go to them before they clear the room.

I used to have trouble representing flying creatures at the table. Players constantly had to ask which creatures were in the air, and who could attack who. The flying figure stands from Litko game accessories solve this problem for medium creatures. The stands allow you to position one figure over another, or to set a die under a flying figure to indicate elevation. Fourth edition’s non-Euclidian geometry simplifies flight, because flyers can rise or descend one square of elevation for each square moved across the map.The flight stands come in three pieces that require assembly. Typical CA glue will fog the clear acrylic, so I suggest using the Craftics #33 Thick Acrylic Cement. Use nail clippers to trim the long tabs on the vertical support so they fit flush with the base and platform.

I want to find some convenient brackets or holders that raise dungeon tiles over the battlefield as with my improvised balcony in the photo. Ideal holders would be compact enough to fit in my convention bag, but heavy enough to stay put. Do any MacGyvers out there have suggestions?

Lighting and visibility

Someday, I hope we all have touch-sensitive, electronic battle maps that sense and track the presence of a particular miniature in a particular spot, and automatically reveal the parts of the cave that that the players can see. Until then, dealing with lighting and line of sight is a chore that I too often gloss over. Some methods help. You can reveal the map as the players explore, either by lifting coverings, laying new tiles, or just drawing as needed. However, in a big battle, where some combatants lurk in the darkness, the matter of tracking who sees what becomes unwieldy.  Does anyone have any tricks for handling lighting and visibility?

Next: Secrets to storing and retrieving D&D miniatures

Player skill without player frustration

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The Zork II computer game from 1981 includes a locked door that you can open by solving a clever puzzle. The door has the old-fashioned sort of lock that lets you look through the keyhole and see the other side. Except here, the key is in the other side of the lock. You slide a mat under the door, and then poke the key out onto the mat. When you pull the mat back, you have the key. (See Zork 2, part 2 for more.)Zork II Box Art

Back when D&D consisted of the original brown box, before skills, before rogues, before thieves, all the obstacles in the game invited that style of play. You overcame obstacles by immersing yourself in the game world, making decisions, and problem solving. I loved it.

This style of play suffers from the same problem as the puzzle in Zork. When Zork II came out, I had only ever seen that sort of old-fashioned lock in my grandma’s house. And if you’ve never examined that kind of lock, the door puzzle simply leaves you stuck and frustrated.

In the old computer adventure games, when you became stuck and frustrated, you had to send money for a hint sheet, and then wait for it to arrive in the mail. With table-top games, that never has to happen.

The great thing about table-top games is that the dungeon master can allow creative solutions.

Sadly, not every DM is open to creative solutions. Typically, these DMs fall into the mindset of beating the players. Frustrated players mean I’m winning D&D!

Fourth edition attempted to eliminate frustration by emphasizing skill checks and skill challenges over concrete obstacles and over players’ problem solving skills. When every obstacle has a DC and multiple skills, then no one gets frustrated. If you find a locked door you can pick the lock with thievery, or break the door with strength.

But when the game emphasizes character skill, the players never need to make meaningful decisions or engage the game world. They just look at their character sheet for the best applicable skill. I suppose this improves on playing guess-the-solution-I-thought-of with an inflexible DM, but the picking a skill and rolling is much less fun than D&D can be.

Of course, you can emphasize player-skill with any edition of D&D.

Have you ever noticed how the Tomb of Horrors makes the demi-lich only vulnerable to a short list of curiously-specific attacks?

The demi-lich’s skull can be harmed only as follows:

  • a forget spell will force the skull to sink down without taking a soul
  • a shatter spell thrown at it inflicts 10 h.p. of damage
  • a power word, kill pronounced from the an astral or ethereal magic-user will destroy it.
  • only a fighter with a vorpal blade, a ranger with a sword of sharpness +5, or a vorpal weapon, or a paladin with the like or even a +4 weapon can inflict damage on the skull
  • an exorcise spell will cause it to sink as a forget does
  • a dispel evil spell inflicts 5 h.p. of damage
  • a holy word pronounced against it will inflict 20 h.p. of damage
  • a thief slinging one of the large gems in the crypt will inflict 1 h.p. of damage per 10,00 g.p. of value, i.e. 1, 5,, or 10 h.p. of damage, but the gem is thereby shattered

A power word, kill does nothing, unless you happen to be ethereal or astral! How would anyone think of that? Also, the demi-lich is vulnerable to the destruction of very expensive gems. That messes with the players in the best(?) old-school tradition. Only someone immersed in that tradition would even consider the gem attack. Is Gary guilty of the same sort of inflexible, narrow approach that I criticize? Yes. In the case of Tomb of Horrors, that’s the way Gary wanted it. He created the Tomb to be “ready for those fans who boasted of having mighty PCs able to best any challenge offered by the AD&D game.”

When I DM, I love to be surprised. I think one of the great joys of being a DM is crafting some trap or obstacle, leaving a couple ways to overcome it, and then watching as the players crack the problem with a third way. I’ve run campaigns for groups who proved so good at coming up with unexpected solutions, that I stopped worrying about planning any solutions. I just sat back and watched the players come of with something.

I have three bits of advice for refereeing game-world obstacles that demand player skill to overcome.

  • Watch the players for signs of frustration. Be prepared to let the characters uncover a new clue, or to just have something on the other side of that locked door come and open it.
  • It’s good to say yes, but avoid being too quick to accept implausible solutions. If a couple of players are deeply engaged in a predicament, and you allow any dumb idea to work, they just get annoyed. The last thing you want is a player arguing that something you allowed wouldn’t actually work.
  • Watch out for clever ideas that break the game. I remember a player who regaled me with a story that he remembered fondly. His party defeated a dragon by enclosing it in a wall of force shaped like a giant fishbowl, complete with an opening on top too small for escape. Next, they created water above the opening, filling the fishbowl and drowning the dragon. I suspect that no version of wall of force ever actually allowed such shenanigans, but as a one-time trick, the stunt created a moment the players’ loved. I wonder what the DM decided to do when the players kept trying to repeat it. If you can use this trick on a dragon, the dungeon becomes your aquarium.