Monthly Archives: March 2021

How to Build a D&D Cleric Who’s Super Fun in a Fight

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In Dungeon & Dragons, clerics suffer from a reputation as the dull class that folks dutifully play to support the party. Forget that. In fifth-edition D&D, clerics can enter a fight like a tornado, damaging every foe around them, dodging blows, and attacking, all in the same turn.

Plus, their faith gives clerics a ready-made hook for playing the sort of big personalities that make roleplaying fun.

At level 5, D&D classes leap in power. Martial classes typically gain an extra attack, potentially doubling their damage dealing. Monks gain Stunning Strike. Wizards and Sorcerers gain fireball, which delivers 5th-level power for a 3rd-level slot. Bards and Warlocks gain hypnotic pattern, a spell that turns fights into beatdowns. (See How Part of D&D that Everyone Avoided Shaped the 5th-Edition Power Curve.) The 3rd-level spell that lifts clerics in power lacks the flash of fireball or hypnotic pattern, but it makes clerics more fun in a fight.

Spirit guardians summons spirits that surround you to 15 feet and that damage enemies who enter or start their turn in that sphere. Spirit guardians rates as one of the most efficient spells to up-cast with a higher-level slot. I played a cleric to 20th level and loved casting spirit guardians at 8th or even 9th level to deal 8d8 or 9d8 damage to any foes near me. Clerics on the move take their 15-foot sphere of divine fury across the battlefield, forcing more foes into the destruction. If the party ever gains boots of speed, give them to the cleric!

Spirit guardians suffers from an obvious drawback and an overlooked one. Obviously, the spell requires concentration while encouraging clerics to go into the thick of a fight. Also, the spell requires clerics to see allies to exempt them from the guardians. That means invisible allies or even friends around the corner can’t be spared.

Tactics

Starting at 5th level, the fun battlefield cleric starts combat by casting spirit guardians and moving into the thick of battle. On turn two, cast your favorite combat cantrip—or just dodge—plus cast spiritual weapon for another strike, and then keep moving to include the biggest groups of foes in your radiant doom.

Ability scores

To build a cleric, make Wisdom your highest score, followed by Constitution. Choose an odd-numbered Constitution score. Traditionally, clerics rely on Strength, but a cleric’s cantrips can bring more damage than weapon attacks, especially with the Blessed Strike option in Tasha’s Cauldron of Everything. Only domains that grant heavy armor proficiency might actually benefit from Strength. A 13 Strength enables you to wear an affordable suit of chainmail without losing speed. A 15 Strength enables you to wear plate without slowing. Low strength dwarves can wear heavy armor without losing speed, so ironically the D&D rules reward creating agile, pencil-necked dwarves who defy their archetype. If your domain lacks heavy armor proficiency, choose Dexterity as your third highest score.

Why choose an odd Constitution score? Clerics surrounded by spirit guardians become an immediate target for attack. Through any damage, they must maintain concentration by making Constitution saves. The War Caster feat can help, but the Resilient (Constitution) feat proves better. If you start with a Constitution of 13, then taking Resilient (Constitution) before level 5 adds 1 to Constitution and helps your save about as much as War Caster. Then your save continues to improve with your proficiency bonus. If you play your cleric to high levels, you can add War Caster later.

Race

If your campaign uses the standard rules for ability scores in the Player’s Handbook, hill dwarves and variant humans make particularly good clerics. Wood elves also work well if you favor Dexterity and speed over Strength. If your campaign uses the custom origins from Tasha’s Cauldron of Everything and you prefer weapon attacks, pick a high elf and choose Booming Blade as your bonus cantrip. You can strike a foe, and then when they flee your spirit guardians, they take thunder damage. This combination works best with cleric domains such as life and tempest that grant the Divine Strike feature.

Domain

The forge and tempest cleric domains excel for clerics capable of fun battlefield fury. Both domains grant heavy armor proficiency.

Forge. The forge cleric brings improved AC to heavy armor and the 1st-level searing smite spell powers weapon attacks until you gain better spells to concentrate on. Opt for Strength over Dexterity. At level 7, you get the underrated wall of fire spell. Sadly though, wall of fire also competes for concentration.

Tempest. Once tempest clerics cast spirit guardians and become a target, they can use Wrath of the Storm to heap punishment on foes who hit back. Plus, the spell thunderwave and the Thunderbolt Strike feature both let you push away creatures so you can move freely around the battlefield. The tempest domain makes a flavorful combination with that high elf who makes attacks backed by the booming blade cantrip.

Other domains gain some versatility while remaining especially fun in a fight.

Life. Choose a life cleric to gain the durability of heavy armor while becoming the best healer in the game. Tasha’s Cauldron of Everything adds the aura of vitality spell to the cleric list. This domain gives that spell game-breaking power. (See The 7 Supreme D&D Character Builds for One Thing.)

Light. Choose the light domain if your notion of fun in a fight includes blasting things with fireball. For a light cleric, opt for a high Dexterity and ignore Strength.

Essential spells

Cantrips. Select guidance. Forge, tempest, and other clerics who favor weapon attacks should prepare sacred flame for the undead-slaying potency of radiant damage. Clerics who rely on damaging cantrips should choose toll the dead for maximum damage—unless you roleplay your light or life domain cleric as someone loyal to their ideals. (If you’re not a grave domain cleric, you can still prepare toll the dead, but you should feel bad about it.)

1st level. Prepare healing word to heal without slowing your attack. Add guiding bolt for attacks at range. Before 5th level, prepare bless. Once you reach 5th level, spirit guardians becomes a better spell to concentrate on.

2nd level. Prepare spiritual weapon. Aid makes one of the game’s best spells to cast using a higher-level slot. Although silence requires concentration, prepare it. Silence hinders enemy spellcasters, stops guards from calling for help, and lets you chop through doors without announcing your location.

3rd level. Prepare spirit guardians, mass healing word, and revivify. Invest 300 gp in diamond dust for revivify’s components. You may rarely cast revivify, but when you do, you become party MVP.

How to Improve Your D&D Game by Posing Difficult Dilemmas

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As a game master, my favorite moments during session come when I sit idle as the players’ debate the tough choices open to their characters. Each option balances hope with a price. All the options lead to consequences that will spin the game in a different direction. Watching these discussions, I know the game world has come alive. No one tries to metagame what they’re supposed to do. Later, when those same players wonder what might have happened if they had chosen the other path, I bask in that moment.

If players just wanted to follow a story, they could have read a book. In role-playing games, much of the players’ fun comes from making choices and then experiencing the consequences as the game spins into a new direction. A hard choice lets players reveal their characters, reminds players that they control their characters’ fates, and turns the game world into a vibrant place that reacts and changes.

Occasionally tough choices spring naturally from the twists of your game, but you can plan your game to pose more dilemmas for players.

What makes a good dilemma?

Dilemmas have consequences

Much of the fun of making game choices comes from seeing the effects. If the adventurers get a call for help from a fishing town threatened by raiders, the hard choice comes when they learn of a far more lucrative job: The cunning Lady Redblade wants a magical curiosity retrieved before her rivals can snatch it. When the curiosity proves to be a dangerous artifact, the hard choice comes when the players must decide whether to hand it over. Every GM can tell such choices matter, but the consequences must ripple into the game. If the players spurn the town, it burns (even if you prepared for a rescue session). If the players betray Lady Redblade, she treats them as enemies (even if your plot assumed she would remain an ally). If players seldom see their actions lead to repercussions, they learn that their actions hardly matter.

Still, consequences don’t make a good game. If you put a dracolich behind door number 1 and a pile of +5 swords behind door 2, you just offered a choice with consequences. But your players will still drop out of your crummy game.

Dilemmas require information

Let's Make a DealIf you play Dungeons & Dragons long enough, you hear of a Monty Haul dungeon master who loads treasure on players. The name comes from the Monty Hall, host of a game show called Let’s Make a Deal. He handed out so much treasure that every bumblebee and Raggedy Ann left his studio with a vorpal sword. Sometimes, Monty offered contestants a choice of whatever lay behind three doors that concealed prizes ranging from a toilet plunger to a Chrysler Cordoba. Guess a door makes a dull decision, but Monty’s game entertained by creating dilemmas.

After a contestant picked door 1, but before revealing its prize, Monty would pull out wad of cash and count off bills that he offered in exchange for the unseen prize. Now players faced a dilemma.

Interesting choices start with information.

If the players must decide whether to travel the low road or the high road, the choice only merits a coin flip. But suppose on the low road, the hag Auntie Boil always demands some small, wicked deed of those who travel her swamp. On the high road, frost giants guard an icy pass, but one may owe the thief a favor. Now the choice becomes interesting. Players can expect their choice to take the adventure on a different spin.

Menus of choices like these let players reveal their characters or steer the game toward their own preferences. I like offering such options near the end of each game session so I can prepare for the road ahead.

Dilemmas defy correct answers

Sorry Monty, but choices with one right answer don’t count as dilemmas.

Such choices might serve as puzzles. Suppose the PCs want to pursue the Dread Baron, but wonder whether to follow the low road or the high road. If they see he left his fur boots in his tower or if they find an invitation from Auntie Boil tied to a bird in the rookery, then they know which road to take.

Puzzles like this enhance your game, especially if you occasionally allow the players to miss the clues. Virtually every adventure spins clues and other leads into the threads that draw players along. But such clear answers only offer a choice between continuing the adventure or dropping out. If players know which road to take, they gain no sense of freedom.

In a dilemma, every option brings a price

In the choice between the high road and the low road, each option brings a price: The high road means calling a giant’s dept and hoping a he will honor it; the low road requires some wicked deed.

“To craft a good dilemma,” Wolfgang Baur advises, “Don’t give the players any good options.” (See “Dungeoncraft – Temptations and Dilemmas” in Dungeon issue 148.)

Clever players may still find good options—players relish the chance to crack an unsolvable problem, but you don’t need to hand them a solution. And definitely don’t hand them a fight. Usually, a good dilemma puts PCs between forces too strong for an assault. If you make Auntie Boil or those giants look like a problem that just needs a few smacks with a warhammer, you created skirmish rather than a dilemma.

Creating dilemmas

The limits of loyalty and time can easily create dilemmas for players.

As player characters gain in renown, powerful non-player characters will begin to request or demand their loyalty. If Lady Redblade and the Master of Eyes both want the players to retrieve the same magical curiosity, then the players choose more than an ally—they choose an enemy.

The limit of time can create many torturous dilemmas. The players must understand that accepting Lady Redblade’s job means risking that besieged town.

We DMs tend to offer quests with no particular urgency. This spares us from having to rework a mission because the game world moved on. The fishing town perpetually waits on the verge of doom until the players arrive to save it.

Sometimes though, time must force the players to choose which fires to fight. This does more than test the players. Such dilemmas make the game world seem like a dynamic place that moves and changes even when the PCs turn away.

Let’s Make a Deal

Suppose you know that the paladin in the party would never spurn the townsfolk for Lady Redblade’s bounty. Now you can play Let’s Make a Deal. The heart of Monty’s game came when he started counting off the hundred-dollar bills that he would exchange for whatever prize lay behind door number 3.

For the paladin’s help, the Lady can offer that magic sword he covets. “So armed, imagine the good you could do.” If she offers to send her own men to aid the town, will the party take her job? After closing a deal, what happens when the party learns that the man assigned to rescue the town is corrupt and possibly incompetent? Do you betray the Lady and your word, or do your leave the townsfolk to their uncertain fate?

Let players feel powerful sometimes

Don’t turn every decision into test of the characters’ limits. A few tough choices add to the game, but people also play to feel powerful enough to sweep away trouble with an stroke of the blade and a fireball. Read the mood of your players.

Still, even if you work to put players in dilemmas, hard choices can be hard to create. That’s what makes them so delicious.

Related: Strong Moral Dilemmas in D&D and the Unwanted Kind that Keeps Appearing
Dungeons Masters Can Make Fake Choices for Players, But Should You?

D&D‘s Ongoing Updates and How a Priority Could Lead to New Core Books

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The prior edition of Dungeons & Dragons, its fourth, welcomed too many players with a feel-bad moment. Eager new players would join a table with a character built from their new copy of their Player’s Handbook and learn the character was unplayable—full of errors created by fourth edition’s errata. The potential message: Your character is bad and you can’t use the book you just bought without embarrassing yourself.

The fourth-edition team strived to get rules right the first time, but they faced a relentless publishing schedule focused on releasing as many hardcovers as the market would bear, all packed with character options. To fix the inevitable missteps, the designers relied on players able to download errata. The game’s business strategy centered on online subscriptions to D&D Insider, so the finished rules existed on the internet, while the books attracted completists and folks who enjoyed reading the latest D&D lore from a comfy chair.

For fifth edition, the D&D team completely reverses this strategy, striving to avoid any changes that contradict text in print. In newer printings, wording gets an occasional change for clarity, but the game’s mechanics remain virtually unchanged. Surely this stability accounts for a measure of the newest edition’s success in winning new players.

To perfect new content before it reaches print, the D&D team relies on a slower release schedule and on letting players preview and test new game elements as Unearthed Arcana. Only the rare overpowered features that prove game breaking get tweaks. While the D&D team avoids errata, they feel comfortable assuming that players and dungeon masters can ignore feats, spells, and archetypes that don’t suit their game. If we find some spells annoying, then we can skip them.

Still, the D&D designers see the game’s flaws. The 12th printing of the fifth-edition Player’s Handbook includes some corrections. On rare occasions, the designers feel compelled to make functional changes to printed rules. For example, errata to Xanathar’s Guide to Everything changes the healing spirit spell from game altering to adequate.

Newer D&D books give the D&D team chances to improve on the Player’s Handbook without actually invalidating anything. Mainly the new books offer options that improve on the original versions. Players can still opt for the original, but the newer alternatives rank as stronger, easier, or just as a more flavorful realization of an archetype. So Xanathar’s Guide To Everything revisits the rules for downtime with a more evolved take, and Tasha’s Cauldon of Everything includes new beast master companions that strengthen the ranger archetype.

During the typical edition cycle of a roleplaying game, years of play expose flaws, while new supplements build a complexity that rewards obsessed players while deterring newcomers. But the D&D team’s careful release strategy has let the game attract new players when most RPGs—including past D&D editions—introduce a new edition. The rules foundation of fifth edition remains strong enough that even an enthusiast like me just names a couple of feats as the worst thing in the game. New editions fuel a surge of sales as a game’s existing fans replace their books, but they also lose players who choose not to leave their experience and old books behind.

Given the success of fifth edition, I suspect the D&D team would feel content keeping the lightly-edited Player’s Handbook in print for years to come. However, I predict that one change in emphasis will lead to a quicker revision. In an article on diversity, the team writes that in the six years since fifth edition’s release “making D&D as welcoming and inclusive as possible has moved to the forefront of our priorities.”

This new emphasis shows in Tasha’s Cauldon of Everything and the book’s options for customizing characters.

The original, 1974 D&D game avoided linking ability scores to a character’s race. Nearly 5 years later the game’s Advanced version added ability score penalties and bonuses for elves, dwarves, halflings, and half orcs. This change reinforced fantasy archetypes, but it also limited player freedom to create capable characters who defy stereotypes. Also, for many, such adjustments raise troubling reminders of how real ethnic groups can suffer from racist stereotypes that paint people as lacking certain aptitudes. Sure, elves, dwarves, and half-orcs are imaginary species, but they become relatable reflections of us in the game world. After all, imaginary halflings, I mean hobbits, just started as Tolkien’s stand-ins for ordinary folks.

Tasha’s Cauldon of Everything offers an alternative to ability score modifiers. “If you’d like your character to follow their own path, you may ignore your Ability Score Increase trait and assign ability score increases tailored to your character.” In a post previewing the change, the D&D team writes, “This option emphasizes that each person in the game is an individual with capabilities all their own.”

The old approach to races in the Player’s Handbook hinders the book as a welcome to D&D. I predict that by the end of 2022, Wizards of the Coast will release of new version of the Player’s Handbook that revisits the old ability score adjustments in favor of the more flexible version. To be clear, this will not represent a 6th edition, but merely a better welcome to the existing game. That book will join revised versions of the other core books by swapping some of the original elements of the edition with the improved alternatives that appeared in more recent books. Meanwhile, the revisited Monster Manual will make some of our more fearsome reflections in the game world clearly “as free as humans to decide who they are and what they do.” After all, isn’t that freedom to decide a lot of the reason we love D&D?

Related: 3 Posts that Need Updates Thanks to Tasha’s Cauldron of Everything

How To Adjust Combat Difficulty on the Fly Using the Magic of Roleplaying

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In Sly Flourish’s DM Deep Dive, Mike Shea explains how he adjusts encounter difficulty. “I don’t fudge dice, but I fudge everything else. A die roll is a die roll. That’s sacrosanct. But everything else around it is malleable.” This leads Mike to change things like the monsters’ hit points and damage numbers. The Dungeons & Dragons rules grant dungeon masters this freedom. The range of possibilities created by, say, a deathlock’s 8d8 hit points ranges from 8 to 64. DMs can choose the average of 36 hp or opt for another value.

I favor tweaking the numbers before the fight. This gains the minor benefit of letting me describe creatures as frailer or stouter than normal. I often dial up hit points for leaders, solo monsters, and other obvious targets for focused fire. In an encounter where a deathlock spellcaster leads a horde of lesser undead, the caster becomes an obvious target for focused fire and probably needs all 64 hp to live to cast a second spell. Some monsters need a damage boost to pose a threat. For example, gargoyles deal such feeble damage compared to their toughness that they turn fights into chores. My gargoyles may deal max damage rather than average damage.

Mainly, I refrain from changing the numbers during a fight. This helps me avoid the temptation to steer the game to suit my plans and expectations. Instead, the players’ actions and the dice guide the narrative. Sometimes during a battle I lower hit points to bring a battle to a quicker end, but by then the outcome is settled. Does this self-imposed restriction lead to more fun? Perhaps only for me. Players typically never learn whether adjustments came before or during combat.

In the Deep Dive, Mike Shea and his guest Ryan Servis mention a powerful way to adjust difficulty on the fly. Have the foes make better or worse tactical decisions—usually worse. Most often this means holding back a big attack or spell when using it could destroy the party. Sometimes it means changing targets instead of finishing a character, or focusing fire on an armored paladin or stout barbarian able take the blows.

Most DMs base some of a creature’s tactics on one roleplaying factor: the creature’s intelligence. They use smarter tactics with brainier monsters. DMs seldom dial up difficulty by playing low-intelligence creatures with cunning, but often this makes sense. Even beasts instinctively know to use their fighting traits in dangerous ways. Wolves gang up on the weak. Rats duck and cover. Tyrannosauruses bite before they swallow.

The most room to adjust difficulty comes from letting smart foes make weak tactical choices. Such poor choices can stem from roleplaying. In stories, villains frequently make bad decision, often because of the same character flaws that led them to evil. Their rage drives them to focus attacks on the wrong target. Their overconfidence leads them to save a devastating spell. Their sadism makes them leave a foe to suffer rather than dealing a killing blow. Their cowardice tempts them to run when they could have won. Their arrogance leads them to tell their henchmen to finish killing an apparently defeated party. A villain’s hubris can change a total-party kill into a second chance for victory.

In a battle scenes, bringing out such character flaws add a dimension to a villain while they explain the poor choices that spare the heroes. Still, you rarely need an explanation. Ryan Servis says, “The players never complain when the enemy makes a bad decision, but if you admitted to your players that you were fudging dice, they would all be upset.” Players rarely track all a monster’s abilities, so they seldom notice those fatal errors.

To Find the Fun in Traps, Did D&D Miss the Search Check?

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Traps add fun to Dungeons & Dragons when players can (a) make choices that help uncover them or (b) interact with them. Interaction includes crawling to evade scything blades or stuffing the mouth of the green dragon statue to block a jet of poison gas. Fun interaction favors discovery over die rolls and certainly doesn’t include just subtracting damage from hit points.

The standard routine for traps in fifth edition skips all the entertainment. The game’s example goes like this: A character’s passive perception reveals a trap, then a player rolls a Intelligence (Investigation) check to discover how the trap works, and then someone tries a Dexterity (Thieves’ Tools) check to disable the thing. This rote mostly dodges any potential fun. Passive perception just skips any engagement, and a trap’s discovery leads to zero choices. The only activity comes from die rolls. The only decisions come during character building. I daresay the procedure’s designer dislikes traps, but dutifully includes them based on D&D tradition.

Because the fun of traps comes from finding and interacting, dungeon masters can watch players evade them all and rate the session a success. Still, characters may overlook a few gotchas. Unnoticed traps that spring on characters serve three purposes:

  • To make careless and reckless choices lead to consequences.
  • To set a mood of peril.
  • To warn of more dangerous traps ahead.

For setting the mood and as a signal of more traps, the devices players do find work just as well. Even spent traps and their victims’ remains serve the purpose.

When players spot traps and use ingenuity to evade them, they gain the pleasure of figuring things out and feel clever. But even traps where the interaction goes wrong can prove fun. On the Mastering Dungeons podcast, Teos “Alphastream” Abadia says, “I recall an adventure that had a series of traps that were engaging enough that my party activated all of them after spotting all of them, and we were all laughing and having a great time. At one point a player found this pressure plate, and somehow, she concluded that this was the safe spot, so she jumped on it.” Later in the gauntlet, the group found a pit that dropped to a strange growth that hit the bottom, so someone dropped a torch to see. The growth was brown mold, which grows with fire.

The advice in the Dungeon Master’s Guide for running traps favors using passive Wisdom (Perception) scores to decide when characters notice traps. This advice aims to speed play by skipping time wasted looking for non-existent traps. But passive perception also loses the surprise and fun of rolling the dice. (See D&D and the Role of the Die Roll, a Love Letter.) Also, passive checks eliminate decisions that lead to uncovering traps, except for choices during character creation. Sure, no one wants a game slowed by fruitless checks for traps, but traps work best where players expect them—preferably past the spiked and burned corpses of previous explorers in dungeons with words like “horrors,” “death,” and “Tucker’s” in the name.

Passive perception can fill a role in a dungeon master’s trap game. Perception enables characters to notice things that simply require keen senses, such as a trip wire strung across a corridor. Passive perception can feel like a rule where the DM just chooses whether someone finds a trap. After all, the DMs who set DCs often know their group’s perception scores. But when only the characters at the front get close enough to spot traps, the choice of marching order factors into success. Sometimes the choice to light a torch also leads to success by eliminating the -5 penalty darkvision suffers in total darkness.

If someone observant leads and that character inevitably spots a trip wire, then the incident still sets a mood and signals more traps to come. Plus, players who chose the Observant feat feel rewarded for their choice.

Even the highest passive perception score falls short of trap radar. Totally concealed traps such as a pressure plate buried under dust require a search to uncover. For searching, choose Intelligence (Investigation) checks. Someone skilled at Investigation spots ordinary but significant details such as the residue around the gaping mouth of the dragon statue or the scratch left by the swing of scything blades. When players must ask for searches, they make the choice that a uncovers a trap. Plus, the roll for success adds the uncertainty that passive checks lack, and that roll adds surprise for the DM.

Traditionally, the D&D rules granted thieves and rogues a special knack for finding traps. Arcane tricksters aside, fifth edition’s rogue class fails to reward the Intelligence scores needed for skilled investigation or the Wisdom scores needed for keen perception. Not even the so-called Mastermind archetype requires brains. Even a rogue who chooses to pair Perception or Investigation with expertise will probably fall short. This makes either clerics or wizards best at finding traps, depending on how the DM runs the process of looking. (Hint: Wizards.) The rules for tool proficiency in Xanathar’s Guide to Everything help rogues meet expectations. Characters proficient in thieves’ tools gain advantage when they use Investigation or Perception to find traps. This amounts to a +5 to passive perception. Perhaps the thief can lead the marching order.

If I were to redesign a rogue class, I would consider more abilities that reward a high Intelligence. This would yield thieves more apt at spotting traps and spies more capable of investigation. Character optimizers call classes that require high scores in more than one attribute multi-ability dependent or MAD. Such requirements weaken classes a bit. Fortunately, MAD paladins bring power to spare. Sorry, MAD rangers. A hypothetical MAD rogue would get a small boost to compensate. My dream rogue would also become a capable backstabber, unlike the current version where daggers only rate as a strategy for players seeking the roleplaying challenge of playing an inferior character.