Category Archives: Role-playing game design

Would Dungeons & Dragons Play Better If It Stayed Loyal to How Gary Gygax Awarded Hit Points?

In a typical fifth-edition Dungeons & Dragons adventure, characters will reach every battle with full hit points. Healing comes too easily to enter a battle at less than full health. Above level 10 or so, spells like Aid and Heroes … Continue reading

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Why Fourth Edition Never Saved Dungeons & Dragons

“Fourth edition Dungeons & Dragons is all about taking that things that work in D&D, keeping them in the game, and fixing everything else,” designer Mike Mearls wrote after the edition’s announcement in 2007. “That’s the goal, and I think … Continue reading

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Are the Authors of the Dungeon & Dragons Hardcover Adventures Blind to the Plight of DMs?

Adventure paths reveal their linear design in the name: They follow a path. In a linear adventure every play group follows the same plot thread, through the same scenes, to the same conclusion. For adventure creators, linear adventures bring advantages. … Continue reading

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Do Dungeons & Dragons Players Hate Linear Adventures? Not When DMs Avoid Two Pitfalls

A linear adventure is written, or at least planned, so every play group follows the same plot thread, through the same scenes, to the same conclusion. In Dungeons & Dragons, linear dungeons set the pattern, with walls and doors that … Continue reading

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Fourth Edition Proved D&D Works Without Saving Throws, So Why Did They Come Back?

Fourth edition dropped saving throws in favor of to-hit rolls and showed that D&D works without saves. Mathematically, to-hit rolls and saving throws just flip the numbers so that a high roll benefits the person casting the die. Rather than … Continue reading

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D&D Adds Psionics: What Could Possibly Go Wrong?

While editing the third Dungeons & Dragons supplement, Eldrich Wizardry, Tim Kask developed D&D’s first rules for psionics. He loved psionic combat and threw his enthusiasm into the task. His rules answered D&D’s biggest critics. First, they stood separate from unrealistic … Continue reading

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Spell Blow Back—How Part of D&D that Everyone Avoided Shaped the 5th-Edition Power Curve

The original Dungeons & Dragons game featured some activities that most players didn’t enjoy and eventually came to skip. I already wrote about mapping. Unless your group plays D&D in a deliberately old style, you don’t draft a player as … Continue reading

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How much description should a dungeon key include?

The conventional Dungeons & Dragons adventure includes a dungeon key describing numbered locations on a map. When D&D co-creator Gary Gygax created his first dungeon under Castle Greyhawk, he usually wrote a 1-line note for each room. These notes served … Continue reading

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How new changes created the 4 most annoying spells in Dungeons & Dragons

In Dungeons & Dragons, if you play a rogue, the class description describes your key powers. All rogues make sneak attacks, cunning actions, and use evasion. If you play a spellcaster, your powers sprawl into the spell list. Every wizard … Continue reading

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If you want to write games for everyone, game with everyone

In the 80s into the 90s, I would see convention panels or magazine interviews where game professionals said that their game writing left them no time for game playing. Those writers might admit to an occasional session of Call of … Continue reading

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